GNAWA SERIES
Rooted in the trance traditions of North and West Africa, the Gnawa series draws inspiration from the hypnotic rhythms of Gnawa music, especially the deep resonance of the Guembri and the metallic percussion of the Kraqeb.
As I wove each vessel, I entered a similar meditative state. The repetition of sculptural weaving mirrored the cyclical, spiritual movement of the music.
These works are sonic in spirit, vessels that pulse with cultural memory and ancestral frequency. They are a survey into how identity persists across time, displacement, and diaspora, transformed, yet intact.
PULAAKU SERIES
In Fulani culture, the calabash and the suudu (hut) are sacred domains of the woman. Traditionally utilitarian, these forms are imbued with profound symbolic and spiritual resonance.
In the Pulaku series, I reimagine the calabash not only as a vessel of daily life but as a sculptural object, an archive of memory, legacy, and feminine sovereignty.
Through form, texture, and material, these works honor the quiet power women hold within the home, generative, protective, and foundational. Pulaku is both homage and elevation, a reframing of domestic space as a site of artistry, resilience, and cultural inheritance.